Liao Songqing
Doctor of Music Anthropology, Shanghai Conservatory of Music
Master of Arts in Chinese Traditional Music Theory, Wuhan Conservatory of Music
Visiting Scholar at University of California, Los Angeles (UCLA), 2015-2016
Member of the Chinese Traditional Music Society

Research Outputs

1. "Opera, Belief, Identity: A Study of Wind and Percussion Music in Rituals of Fenghua"
   Published in Journal of Ningbo University (Humanities and Social Sciences Edition), Issue 3, 2013

2. "A Study of Wind and Percussion Music in Funeral Rituals of Fenghua"
   Published in Gehai (Song Sea), Issue 3, 2013 (May 2013)

3. "Ripples of Inheritance: A Study on Issues Related to the Gongche Notation of Gutting Luogu"
   Published in Musicology in China, Issue 2, 2012

4. "A Study of Wind and Percussion Music in Funeral Rituals of Fuyang Area"
   Published in Huangzhong (Journal of Wuhan Conservatory of Music), Issue3,2012

5. "Hierarchy of Clan Society in Wind and Percussion Music: A Case Study of Rituals in Fuyang Area, Zhejiang Province"
   Published in Gehai (Song Sea), Issue6,2010

6. "A Discrimination of 'Fenghua Wind and Percussion Music'"
   Published in Journal of Inner Mongolia Normal University (Philosophy and Social Sciences Edition), Issue4,2010

7. "Meaning and Characteristics of the 'Dao San Qiu' Aria"
   Published in Yihai (Art Sea), Issue6,2006

Research Projects

1. 2017: Presided over the Youth Key Project of the Major Humanities and Social Sciences Research Program for Zhejiang Universities
   Title: Study on Ningbo Ritual Music from the Perspective of Intangible Cultural Heritage Protection
   Project No.: 2016QN045

2. 2017: Presided over the Zhejiang Provincial Education Planning Project
   Title: Study on the Inheritance of Pipa along the Maritime Silk Road: A Case Study of Oral History of Pipa Artists from the "Ningbo Bang"
   Project No.:2017SCG087

3. Presided over the compilation:
   Ritual Music: Folk Ritual Music in the Yangtze River Basin
   (A national key book/audio-visual/electronic publication under the 13th Five-Year Plan; Volume9 of Part2 of the Great Series of Chinese Yangtze River Intangible Cultural Heritage, titled Ritual Music: Folk Ritual Music Research in the Yangtze River Basin)

4. 2014: Participated in the Major Bidding Project of National Social Science Fund for Art Studies
   Title: Study on the Interactive Influence of Chinese and Foreign Music in the Internet Context
   Approval No.:14ZD07

5. 2011: Presided over the Zhejiang Provincial Department of Education Project
   Title: Survival and Evolution: A Study on the Changes of Sound in Rituals of Fenghua Area
   Project No.:Y201120244

6. 2010: Presided over the project under the Shanghai Key Research Base of Humanities and Social Sciences in Universities & Center for Chinese Ritual Music Studies at Shanghai Conservatory of Music
   Title: Study on Wind and Percussion Music in Funeral Rituals of Fuyang Area, Zhejiang
   Project No.:B102

7. 2009: Presided over the project of the Center for Chinese Ritual Music Studies at Shanghai Conservatory of Music
   Project No.:09YS210
   Research result: Study on Wind and Percussion Music in Folk Rituals of Fenghua (30,000 words) was included in the book Ritual Music Research in the Yangtze River and Delta Regions (edited by Professor Cao Benye, Shanghai University Music Anthropology E-Research Institute)

8. 2009: Participated in the Key Project of National Social Science Fund for Art Studies
   Title: Regional and Cross-Regional Nature of Ritual Music: Case Studies and Comparative Research on Tradition and Change
   Approval No.:09AD004
   Sub-project: Study on Wind and Percussion Music in Clan Rituals of Zhejiang Area

9. Oct 2008: Presided over the compilation of ritual music research materials from CNKI (China National Knowledge Infrastructure)

10. Aug 2007: Participated in the field investigation of the Key Project of the Ministry of Culture under the 11th Five-Year Plan of National Art Science (2006)
    Title: Current Situation Investigation of Shifan Luogu in Jiangsu Area